Play Along Piano

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Bach

Warum betrübst du dich (Aria) BWV 516

Bartók forever

1:16	Est. Play Time
18	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		20	16	5	6	100%
		14	0	2	5	100%
Stimme		13	0	4	6	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		20	16	5	6	100%
		14	0	2	5	100%
Stimme		13	0	4	6	100%

（會眾版）聖潔基督歟，何事有所得罪人？_Bach_BWV_244-3_Herzliebster_Jesu,_was_hast_du_verbrochen

doctorandrewtam

1:06	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		15	0	3	5	100%
T B		15	0	4	6	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		15	0	3	5	100%
T B		15	0	4	6	100%

Wer nur den lieben Gott lässt walten (Choral) BWV 691

Bartók forever

1:00	Est. Play Time
10	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		14	1	2	6	100%
		15	0	3	5	97%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		14	1	2	6	100%
		15	0	3	5	97%

191. Jesu, Jesu, du bist mein. Schemelli (No. 34), J.S. Bach, BWV 357.

SDG

1:02	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		16	0	3	6	100%
T B		19	0	5	6	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		16	0	3	6	100%
T B		19	0	5	6	100%

61. Schaff's mit mir, Gott, nach deinem Willen, SATB, Schemelli, Bach, BWV 514.

Gertim

1:04	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		13	0	0	6	100%
T B		15	0	2	5	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		13	0	0	6	100%
T B		15	0	2	5	100%

J.S. Bach: Chorale: Betrübtes Herz, sei wohlgemut (BWV 428) with full analysis

BSG

1:00	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		11	0	3	5	100%
Bass		17	0	5	3	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		11	0	3	5	100%
Bass		17	0	5	3	100%
Contrabass		17	0	5	3	100%
Soprano		8	0	0	4	100%
Tenor		9	0	1	4	100%

Bach: Menuett Trio (for Stölzel's Partita di Signore Steltzeln)

PianoXML

1:12	Est. Play Time
18	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		16	5	4	4	100%
		16	0	2	3	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		16	5	4	4	100%
		16	0	2	3	100%

J.S. Bach: Unter deinen Schirmen (BWV 227, #3)

BSG

1:05	Est. Play Time
19	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano		12	0	2	5	100%
		10	0	3	4	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano		12	0	2	5	100%
		10	0	3	4	100%
Alto		10	0	1	5	100%
Bass		14	0	3	4	100%
Tenor		13	0	4	4	100%

Aria in D Minor

mauvecat

1:07	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		9	0	1	6	100%
		17	0	3	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		9	0	1	6	100%
		17	0	3	4	100%

Allemande

wil emmerink

1:04	Est. Play Time
18	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitar		28	29	8	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitar		28	29	8	4	100%

BWV989 Aria Variata - J.S.Bach

Reiley

1:15	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		22	0	7	7	100%
		24	0	8	6	100%
Ossia		19	0	6	8	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		22	0	7	7	100%
		24	0	8	6	100%
Ossia		19	0	6	8	100%

J.S. Bach: Weg mit allen Schätzen (BWV 227, #7)

BSG

1:03	Est. Play Time
19	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		13	0	4	5	100%
Bass		16	0	5	4	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		13	0	4	5	100%
Bass		16	0	5	4	100%
Soprano		12	0	2	5	100%
Tenor		13	0	3	5	100%

26. Gott, wie gross ist deine Güte. Schemelli/Bach. BWV 462. Inner voices: Gertim (SDG)

SDG

1:06	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	5	100%
Tenor/Bass		18	0	3	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	5	100%
Tenor/Bass		18	0	3	4	100%

J.S. Bach: Von Gott kommt mir ein Freudenschein (BWV 172, #6)

BSG

1:28	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		6	0	0	3	100%
Bass		14	0	1	3	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		6	0	0	3	100%
Bass		14	0	1	3	100%
Contrabass		14	0	1	3	100%
Soprano		8	0	0	3	100%
Tenor		8	0	1	5	100%
Violin		15	0	1	3	100%

J.S. Bach - Choral "Aus Tiefer Not Schrei Ich Zu Dir", BWV 38

Joâo Schnier

1:07	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Clarinette en Si♭		7	0	0	4	100%
		11	0	2	3	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Clarinette en Si♭		7	0	0	4	100%
		11	0	2	3	100%
		10	0	2	3	100%
Clarinette Basse		13	0	2	3	100%

Minuet in G minor - Bach (Piano)

DarioRoberto H

1:28	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		12	1	0	3	100%
		11	3	2	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		12	1	0	3	100%
		11	3	2	4	100%

BWV 925, Little Prelude in D - (Revised and modified Dec 28, 2109)

Astrel

1:06	Est. Play Time
15	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins		20	7	3	6	100%
		18	7	3	6	100%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins		20	7	3	6	100%
		18	7	3	6	100%
Contrabasses		15	0	2	3	100%
Violas		22	1	2	4	100%
Violoncellos		20	0	2	5	100%
C Trumpet		17	4	2	7	94%
Horn in F		18	1	2	5	94%
Flute		13	7	2	6	73%
Oboe		14	4	1	5	73%
B♭ Clarinet		18	0	2	5	69%
A Bass Clarinet		19	0	1	4	67%

378. Wie bin ich doch so herzlich froh, BWV1 #6, J.S. Bach. Wie schön leuchtet der Morgenstern.

SDG

1:05	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		9	0	0	4	100%
		9	0	0	4	100%
View all 21 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		9	0	0	4	100%
		9	0	0	4	100%
		9	0	0	4	100%
Soprano		8	0	0	2	100%
		8	0	0	2	100%
		8	0	0	2	100%
Bass		14	0	2	3	100%
		14	0	2	3	100%
Tenor		9	0	0	4	100%
		9	0	0	4	100%
Basso.		14	0	2	3	100%
Continuo.		14	0	2	3	100%
Corno I.		8	0	0	2	100%
Corno II.		10	0	1	5	100%
Oboe di caccia I.		9	0	0	4	100%
Oboe di caccia II.		9	0	0	4	100%
Tenore		9	0	0	4	100%
Viola.		9	0	0	4	100%
Violino I.		8	0	0	2	100%
Violino II.		9	0	0	4	100%
Violoncello		14	0	2	3	100%

31. Aus tiefer Noth schrei ich zu dir, BWV 38 #6, Chorale, Martin Luther.

SDG

1:00	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	2	4	100%
		12	0	2	4	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	2	4	100%
		12	0	2	4	100%
		21	0	4	3	100%
		21	0	4	3	100%
Soprano/Alto		12	0	2	4	100%
Tenor/Bass		21	0	4	3	100%
Contrabass		15	0	2	3	53%

43. Christ, unser Herr, zum Jordan kam. BWV 280. Johann Sebastian Bach.

SDG

1:03	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	2	4	100%
Tenor/Bass		22	0	6	3	100%
Contrabass		16	0	3	2	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	2	4	100%
Tenor/Bass		22	0	6	3	100%
Contrabass		16	0	3	2	50%

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